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Sonata for Piano and Violin in B flat, K.454
‘Kegelstatt’ Trio for Clarinet, Viola and Piano in E flat, K.498
Piano Quartet in G minor, K.478
Duo no.1 for Violin and Viola in G, K.423
C. F. G. Schwencke: Grand Quintetto (1805)
an arrangement of Mozart’s Gran’ Partita for 13 Winds, K.361
Grand Trio, Op.38 (after the Septet, Op.20); Piano Quartet, Op.16 (after the Quintet for Piano and Winds)
Clarinets by Arrangement offers an unusual perspective on some familiar chamber works from the late 18th and early 19th centuries, along with some less familiar repertoire that is well worth discovering.
The first complete survey of the music of Johann Baptist Vanhhal (1739-1813). The recording combines the very best of historically informed performance practice with virtuosity and enchanting expressiveness; the liner notes include an extended essay laden with insight and primary research.
Mozart Chamber Music Vol. 1 “…it is an excellent recording of some, perhaps lesser-known, music by Mozart, played on period instruments with considerable (and appropriate) style by Ensemble DeNOTE.” ANDREW BENSON-WILSON
Beethoven and the art of arrangement: “Such is the ensemble’s attention to period ‘authenticity’ that the pitch used is A=430, which adds to the subtlety of the exquisite fortepiano playing. The string playing is always stylish, and free from excessive vibrato” EARLY MUSIC REVIEW
Mozart – Chamber Music Volume 2 “…works surprisingly well, with John Irving’s fortepiano rippling like the missing woodwind in the famous Adagio. Solo clarinet and violin share the limelight, and the elaborations are stylish.” GUARDIAN
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